morning full of emotions, this one. After a troubled night, I managed to get to sleep at dawn, when I was awakened with a start at 8:20 am by a scream of surprise. My wife, who usually pays little attention to these kinds of spectacles of nature, had launched that cry of amazement: "Come see the Monte Rosa," he said .
In fact, with its luminescent white color white seems to dominate the foothills front, which are rather dark gray / black. In fact, since 9 December last year, I had not seen the Monte Rosa in the luminous beauty ( see here). The two pictures above and below, taken this morning at 9.45 they give an idea.
The morning continued with other emotions: those who gave me Channel 5, with the transmission of 8.5o Saturday : the gallery. As previously reported
Sarcastycon friend, my operations awakening, dressing, and got out of bed, because of my known and no longer celabile "affliction", lasting from half an hour to an average ' hours, depending on the day, as my own, like that of other Italians is 56000 a disease of the intermittent nature in the sense that there are days that you c 
oncede some additional force to make you do in less time what usually takes the "patience of Job." The transmission on Saturday, the gallery, I have great company during these operations, because his presence makes me less weigh the ailment. A praise, then, the inventor and host of the Vittorio Testa, who in my friend, Peter , disabled, one of his greatest admirers. He is an excellent house, he knows by heart the lyrics and music of at least ten works (but came to know many more). E 'living encyclopedia: just ask him how does tal'aria, and he now sings the . has them all memorized during the long and regular stays in hospital. The lyric, as it often tells me, was his salvation, after a car accident, that the fault of others, had reduced to a deep coma for seven days and a half. The lyric restored his "will to live", more than ever, more than when he was spry and athletic, a desire to live the life that is beautiful regardless " whatever the condition of living " are the words that I often repeated . Everything he has also found in the lyric , which is why the program follows to the letter (and then every time I made a sort of questioning). When you can not see him live if he does register, not knowing that now, through internet, Mediaset provides the opportunity to review them when you want.
oncede some additional force to make you do in less time what usually takes the "patience of Job." The transmission on Saturday, the gallery, I have great company during these operations, because his presence makes me less weigh the ailment. A praise, then, the inventor and host of the Vittorio Testa, who in my friend, Peter , disabled, one of his greatest admirers. He is an excellent house, he knows by heart the lyrics and music of at least ten works (but came to know many more). E 'living encyclopedia: just ask him how does tal'aria, and he now sings the . has them all memorized during the long and regular stays in hospital. The lyric, as it often tells me, was his salvation, after a car accident, that the fault of others, had reduced to a deep coma for seven days and a half. The lyric restored his "will to live", more than ever, more than when he was spry and athletic, a desire to live the life that is beautiful regardless " whatever the condition of living " are the words that I often repeated . Everything he has also found in the lyric , which is why the program follows to the letter (and then every time I made a sort of questioning). When you can not see him live if he does register, not knowing that now, through internet, Mediaset provides the opportunity to review them when you want. speak enthusiastically of the program the gallery today, because this morning led me to two places that are now part of my experience: Venice and Arona, and led me to explore two significant events for me: The Barber of Seville, the Phoenix of Venice and the exhibition dedicated to De Chirico , to Arona.
of Arona, in particular, I write today, as I speak of the Monte Rosa, because it is located almost halfway in a straight line between me and the Monte Rosa, it seems almost beyond that of the bell tower is barely visible from the photo (click above for larger view). Arona is an ongoing exhibition on Giorgio de Chirico , main exponent of the ar 
tistical of metaphysical painting.
tistical of metaphysical painting. At the exhibition, being held to Bridges Villa Arona, until 28 March, are on display 130 masterpieces of majesty . The cover of the catalog, Vittorio Testa kept jealously under his arm during the transmission of the gallery, as he spoke of mostra, raffigura una delle tante piazze italiane dipinte da De Chirico, nello stile metafisico . Quello stile che aveva per un certo periodo influenzato vari pittori italiani dell'epoca, tra i quali Vittorio Viviani . Tra le opere di Viviani, celebre pittore di Nova Milanese, che mi degnò della sua entusiastica amicizia, ve ne sono un discreto numero catalogate nel suo periodo Metafisico . Tra le sue più importanti opere di quel periodo, ed anche tra le sue più belle, vi è senza dubbio una stupenda piazza della Basilica di Desio, dove essa è immortalata sullo sfondo. Dipinta negli anni trenta, ora di proprietà privata, costituisce la cover of one of his most well-made products, dating back to the '80s, when the painter was still vital work.
top it all: the lyric. Transmitted by
La Fenice of Venice, The Barber of Seville is the work that perhaps most of all contributed to my passion for opera. The famous aria of Figaro , contested and required by all, has now masterfully sung the baritone Christian Senn . When I was little I heard her sing but often by my uncle, who, had it not been for his innate shyness, would now be counted among the great interpreters of Italian opera.
Le due foto sopra, sono dell'autore, e sono state scattate alle 9.45 di oggi.
All'amico Pietro è stata richiesta l'autorizzazione a pubblicare la sua storia, il cui incidente è avvenuto nel 1985.
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