Saturday, March 27, 2010

Tommy Hilfinger Factory Outlet Lombardia

Population and Environment


pages of the blog of Marshall has often tackled the thorny issue of population density. One of the best studies on the blogger had made Pseudosauro . From a table compiled by Studenti.it , it is clear, then, that areas with more than 100 inhabitants, in square kilometers are considered high density.

I have in my hands I Luit, Sheet of Lega Nord Padania - Section of Nova Milanese, where , David Time tackles its subject with data for careful analysis.
Nova Milanese, happy island until a few years ago (but still might be), is a small town north of Milan, now in the province of Monza and Brianza, just 5.81 sq km of total extension, with a population of 23,210 inhabitants, and thus a population density of 3,995 inhabitants per sq km. According to the study of David limit the population to grow by 4,250 others, as a result of new PGT providing other 425,000 square meters of land exempted from the green, 611 new apartments, and, in fact, 4250 new residents. The total population density become so 4,726 inhabitants per sq km (27,460 inh. Divided by 5.81 sq km), a considerable number of inhabitants, spread over a small spatial extent. and services? asked the columnist. And air pollution by CO2 - the question still remains - where will it end? The 4,250 new residents expected, inevitably lead to at least 2800 cars in more (the national average is two or even three cars per family. Two cars per family of three, so 4250 / 1,5 = 2833. Exactly! ).
The article is the fact that the 2800 extra cars will occupy 12,600 linear feet of parking (12.6 km drive from Nova in Milan in columns).

---- Nova, I said, it was, and could still be an island Milanese happy with the north. Located a few kilometers away from the most beautiful lakes in Europe, Lake Como and Lake Maggiore , of \u200b\u200bwhich he has written the apotheosis Stendhal, in his novel The Charterhouse of Parma semistorico , still enjoys a climate relatively mild and tolerable, not too hot in summer nor too cold during the winter. The road that connects it to Cinisello , historically has been part of the Queen Street . It is said that he had built the Queen Teodolinda to pray at the shrine erected to Intelvi Lanzo, a town with views of three lakes: Como, Maggiore and Lugano. It is said that the Road of the Queen departed from Crescenzago , northeast of Milan, where Lombards had established their main asset (Monza and the summer residence, because it enjoys a better climate, with summer temperatures much milder not in Milan). Legend has it that, starting from Crescenzago, with his retinue of knights and ladies of the company's stock, after having made an obligatory stop for prayer at the shrine of St. Eusebius of Cinisello Balsamo, the party of Queen Teodolinda s' then forwards the then dense forest between Cinisello and Nova. The forest later became a favorite hunting area Visconti rulers of Milan had existed since that time, and before that, the time of the Romans . Now no longer exists for decades and in its place in transit Rho-Monza speedway; the ground, however, has been occupied by industrial buildings, as regards the area of \u200b\u200bNova Milanese, and the area located in the municipality Cinisello Balsamo, was saved by some overbuilding by the bold initiative to set up the Sant'Eusebio Park, part, in its own right, the broader Park Grugnotorto Villoresi . In the park of Saint Eusebius, which is right next to the Romanesque church , about 20 years ago I saw piantare quantità enorme di fitte piantine. Ora, stanno per diventare il fitto bosco di un tempo. Peccato che Nova Milanese non abbia nel frattempo saputo fare altrettanto, almeno su uno dei due lati di quella che sta diventando l'arteria cittadina più importante: l'accesso allo svincolo della superstrada Monza-Rho.
----
L'immagine sopra è tratta dalla Fotogallery del Parco Grugnotorto Villoresi

Thursday, March 11, 2010

Genital Wart Look-alikes

inverted pyramid and spherical perspective of an ordinary day

Il presente post sarebbe stato più giusto averlo inserito in UMANISTICA, ma avendovi pubblicato di fresco il post "Navigli amore mio", che sta riscuotendo un certo interesse, ho preferito inserire questo in STORIA, although, in reality, it is treated ART HISTORY.

I had requested "the family", and "some university Free Time" for clarification regarding the "inverted pyramid", "spherical perspective", and so on. What could be better if you do not respond with the copy-paste of a "lesson" that made me persoalizzata of Josh ( Garden of the Hesperides, with the following article (click to read) .

Here is the content of that comment, Article of 19 March 2009:

"... the inverted pyramid, or rather I could tell the truncated inverted pyramid is the classic representation prospettica in pittura, la prospettiva rinascimentale dell'Alberti, con i punti di fuga, o come puoi vedere nelle declinazioni successive anche nelle 'quinte' architettoniche e teatrali dei dipinti del manierismo, del barocco, o del 1700-1800.
Sarà Cézanne nella 2nda metà 1800 il primo rivoluzionario a rifiutare il sistema di rappresentazione con la prospettiva classica, appunto senza 'il tronco di piramide rovesciata'. Cézanne utilizza un sistema calibrato su uno sferoide prospettico: gli elementi portanti dello sferoide immaginario sono curvilinei...quindi sostituiscono il tronco di piramide rovesciata dell'Alberti.

Sui 2 sistemi prospettici suddetti nella storia dell'arte:
per intendere la prospettiva classica a piramide tronca rovesciata cfr. per esempio questo quadro, una classica veduta di C tutta la pittura ha seguito questo codice di rappresentazione della prospettiva e della profondità, con questo senso dei punti di fuga.

Prendi ora Cézanne, 'le grandi bagnanti' del 1906

http://www.tbarte.com/sito%20normale/RUBRICA%20STORIA%20DELL%27ARTE/PAGINE%20RUBRICA/foto%20cezanne%20e%20il%20cubismo/cezannelebagnanti.jpg

visto? non c'è più lo stesso senso di profondità. Tutto è più vicino, meno 'sfondato', le linee sono curve (lo sferoide) e piatte.
La vera rottura Cèzanne la ottiene using a perspective based on the spheroid, whose elements are curvilinear and replacing the inverted pyramid of Albert C.
it relies on the principle of the world picture projected on the curved surface of the retina
. In the works of C. and the success of many other space inside the
ball (and the subsequent multiplication of points of view and vision plans at the same time as in Cubism) can never get away from the observer as the one built into a pyramid, whose summit
while maintaining the same base, he could get away to infinity.

There is also a famous book of history / criticism that explains much better than me art not only at periodization or medallions, but a real turning point to another, in the meantime I'll sign:

Renato Barilli, "contemporary art", Feltrinelli, MI 2003

Searching the Cezanne, in an art book files attached to Corser, years ago, arrived in Modigliani Giulio Carlo Argan writes:
"When Modigliani arrived in Paris in 1906, understands that all modern art by Cezanne was born. The Romanian sculptor Brancusi, (...) inspires the cult of pure form and closed in the line, by itself, and defines the plasma volume. It is dedicated to sculpture, first, only later realizes that the material best suited to his research Plastic is the color. The integrity of a form that is given at all, and not in relation to a large space, is also the quality of Negro sculpture. Cezanne and blacks were the two extremes ranged Picasso including the historical problem of modern art. "
----
The concept of" spheroid ", explained to you, me and a clear vision of the picture you suggested Cezanne "Women in the bathroom" (more under the same framework: "Large Bathers"), but also paintings by other artists, but I mention only as an academic: Matisse - La joie de vivre.

As for the other " Milestone, long ago, a title Corsera declaimed Alberti as the 'inventor' of the style in vogue went for 4 or 5 centuries.

Thursday, March 4, 2010

Barbie 35mm Camera Don't Even Bother

Hearts 5-7

Close the group stage of the tournament so far hidden from us, with another defeat, remedies against an opponent historians, Hearts, in that we always see the black beast ...
much altered, we go to camp with Vincenzino door, Ladis, crowd, roberto, nicholas on defense, lovi, Fabio Maselli, won in attack and in the median. Here we go, and at once a powerful diagonal forces us to suffer, we are having difficulty in constructing the different players, "unknown", on a serious ingenuity of lovi suffer the double disadvantage. From here we face better opponents, with a great goal to shorten lovi, but opponents are always spaces and opportunities with ease, making it difficult to find our goals and their easy to obtain.
fact never go beyond the "-2", which will be the final step, 5-7. For the quarter
find them, we need to have the usual players and above all peace and cohesion.

GOL: 2 lovi, fabio, 1 Nicole


Vincenzino 6: surprised on the first goal, does what he can in front of so many attempts opponents

LADISA 5: always in trouble on the high balls, his opponent is strong, But opponents on remittances has too much space to jump

ROBERTO 5: very difficult with the ball at his feet, seeing the situation trying to limit the damage taking place

NICOLA 6: a great goal at the intersection, and a lot of good will, grants in the second half but too many spaces in defense

RESSA 5.5: tossed in midfield, left and right-back, as usual you see in the attack, a couple of conclusions and takes a pole on a free kick, cue fabio from a corner

VINS 5: can not find the location, often fails to download to the man behind me, very smoky

Lovi 6.5: two goals (a beautiful) but that mistake on the goal we cut their legs conditioning the meeting ... for the rest usually physical and dedication

FABIO 6.5: not sorry, always tries to duet with his companion, especially in the second half earns many fouls, and scored twice

MEDIA TEAM: 5, 7